Popular Culture (Pop Culture) 1918/79 - The Changing Quality of Life 1918 - 1979
Cinema
Popularity
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Audience
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Content
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British cinema
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Grew Popular during WW1 - 1916 Battle of the Somme seen by 20 million in first 6 weeks
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1928, Talkies further increased popularity -
cinema most important medium of popular culture in interwar years - no. of
cinemas increase from 3000 in 1914 to 5000 in 1930
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Another boom during WW2 - popular war films
include 1942 In Which We Serve (about
the navy) and 1943 The Gentle Sex (exploring
wartime problems for women)
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Admissions peaked in 1946 at 1.64 billion
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1950 - average person went 28 times a year (more
than any other country)
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However attendance fell until late 80s - half of
all cinemas closed 1955-1963
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This was due to the rise of television
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Typical
cinemagoer was young, urban and working class (often female)
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In 1946
- 69% of 16-19 year olds went once a
week compared to 11% of over-60s
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Peoples
in the North went on average twice as much as people in the South
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However
people still encouraged the same types of film
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Saturday
mornings were for kids films with cheap seats
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Content
controlled by BBFC (British Board of Film Censors) established 1912
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Led by
conservative, upper-middle class men who were concerned about the impact of
cinema on ‘impressionable’ audiences
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1917 ’43
rules’ were the unofficial regulations of what was acceptable to show
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1928-1939,
the BBFC banned 140 films
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1959
Obscenities Act, and 1968 Theatres Act loosened censorship
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By 70s
more violent, sexual films like 1971 A
Clockwork Orange and 1974 Emmanuelle
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WW1 led
to collapse of British film cinema - due to funding problems, disruption of
production and use of studios for propaganda
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1925
only 5% of films shown in cinemas were British
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1927
quota ensures 20% of films shown were British-made
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‘Americanization’
of cinemagoers in 40s - youths dressing like gangsters and girls like
actresses, using slang like ‘sez you’
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1950
‘Eady Levy’ charge on tickets was used to subsidies British film-making
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James
Bond -popular British film
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British
film production collapsed in 70s - number of British films made each year
fell from 40 in 1968 to 31 in 1980
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This was
due to funding cuts
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Radio
NATIONAL AND REGIONAL PROGRAMME
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BBC
founded in 1927 as a ‘quango’
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Two
radio services - National programme and Regional Programme
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Both
aimed at a general audience
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BBC
established itself as a ‘public service broadcaster’ aimed to enrich and
educate listeners
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Programmes
like the monarch’s Christmas message and anniversary programmes for New Year
and Empire Day were ‘reassuring symbols of national community’
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THE WAR YEARS - THE HOME SERVICE
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National and Regional
programmes replaced with the Home Service
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Done to prevent enemy
aircraft using regional radio as navigation
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Programmes like Workers’ Playtime aimed to boost
morale or factory workers
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News and speech based
entertainment
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HOME, LIGHT AND THIRD
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Peacetime programming
returned after war
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The Light Programme
(created 1945) was a mix of comedies an soaps, was the most popular - held
1/3 of the 11 million daily listeners
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Daytime shows aimed at women
at home (gender roles)
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The Third Programme was
highbrow classical music and drama (attracted only 3% of listeners)
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THE PIRATES
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Despite BBC’s monopoly on
radio ‘Pirate’ stations like radio Caroline, Radio Luxembourg broadcast from
ships
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1967 Act banned pirate radio - Radio
Caroline ignored this
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1967 Light Programme
split into BBC 1 and BB2 - BBC 1 first
channel dedicated to pop and a younger audience , while the Third Programme
became BBC 3, and Home Service became BB4
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1973 Act ended monopoly
and introduced competition - BBC1 still popular (Breakfast Show attracted 20
million listeners
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Influence
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Lack of influence
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BBC held monopoly until 1973 - held control over
what people heard
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Consistently a popular medium of entertainment -
11 million daily listeners during WW2
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Many working class had the radio on all the time -
listened to a wide range of programming, broadened their horizons
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BBC
tried to influence the tastes of the public but failed
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People
favoured ‘Top 40’ pop music station over BBC’s ‘high brow’ content - Radio
Caroline popular pirate station
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BBC did
not change society - was forced to adapt to meet demands of society (creation
of BBC1 in 1967)
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Music
20s
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Vera
Lynn - slow sentimental music
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Rag
time and Jazz from America
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Dance
Halls very popular (esp. with working class) with American dances like the
Charleston, swing, jive
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30s
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Swing and bop
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40s
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Country, Western and
blues
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50s
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1955 film ‘Black Board
Jungle’ marks the arrival of rock’n’roll
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Elvis Presley - the
‘King’ of rock’n’roll - a more sexual, wild kind of music
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British music companies
responded with more ‘safer’ artists like Cliff Richard
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Rock’n’roll coincided
with the birth of the teenager (‘teenagers’ also emerge because young people
have more disposable income and stay in school longer)
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60s
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SKiffle bands become
popular - influenced by folk, blues and jazz
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Beatles start as a
skiffle band called the Quarry Men in Liverpool, develop into ‘the Beatles’
in Hamburg
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1962 single ‘Love me Do’
released, leading to ‘Beatlemania’
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1964 ‘British Invasion’
launched - British music globally influential and respected, benefitted
Britain through exports
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Beatles commercialised
music - their made £100 million through merchandise
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70s
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Different genres,
escapist/ reflective of troubled times
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Early 70s ‘glam rock’ -
David Bowie, Gary Glitter, their androgynous look indicative of more fluid
attitudes to sexuality and gender
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Late 70s Punk - The Sex Pistols, angry music, promoted
rebellion and anarchy, reflected dire economic situation and frustration with
politicians and establishment - female punk empowered women
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Television
Ownership
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Popularity
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Cultural Impact
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TV
exploded as a mass medium
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Sales
spurred by coronation of Queen Elizabeth II
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Because
of popular use of leisure time
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Late 70s
people watched 16 hours a week in summer, 20 in winter
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Men +
Women spent 23% of their leisure time watching TV (twice as much as Belgium,
Italy, Sweden)
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Colour
TV began in 1967 - percentage of colour sets went from 1.7% in 1970 to 70% in
1979
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Blurred
class divisions - everyone watched similar programmes
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Formed
important part of culture - discussion of shows formed part of daily
conversation
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Colour
TV - perhaps made reporting on violence like The Troubles or Vietnam war
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1955 BBC
monopoly ended - 14 other stations began broadcasting
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1962
Piking Report led to: 1964 Television Act - forced ITV to screen news, two
plays and two current affairs programs - and BBC 2
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The
Wednesday Play (BBC 1964-1970) screened hard hitting, social realist plays
like 1965 Up the Junction (about
abortion) and 1966 Cathy Come Home (about
homelessness) seen by 6-10 million
peoples
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Working
class/ middle class enjoyed shows like Coronation
Street (launched 1960) seen by 20 million
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Rise of
satire (That Was The Week That Was/ TWx3) questioned and mocked the
establishment, again dissolving class boundaries
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Other
popular programmes; Upstairs Downstairs - set in England between 1903-1930
and police shows like The Professionals
and The Sweeney - averaged 19
million viewers
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70s rise
of sitcoms like Fawlty Towers
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Influence
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Lack of Influence
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TV most popular use of leisure time, (23% of
leisure time spent watching TV) so shows had large impact
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Class boundaries dissolved through universal
watching and satire - TWx3 has 12 million viewers
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Police shows, at a time when suspicions about
corruption about police were raised, helped raise the public image of the
police force - 1977 poll showed 75% thought the police were honest
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· BBC again tried to influence public tastes to
more ‘intelligent’ content - partially successful with The Wednesday Play and
1964 Television Act - but shows like Coronation Street still most popular
· Wednesday Play didn’t directly change
attitudes
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Youth Culture
Rise of the Teenager
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Word
‘teenager’ came into regular use after WW2
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Growth
of disposable income - teenagers have more money to spend on entertainment
and luxuries
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Rise in
school leaving age to 15 after WW2 - young people have more time to be young
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Mass
media widened the gulf in fashion and music taste between generations
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Pirate
radio shaped popular forms of youth culture
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Teenage
leisure pursuits
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Cinema
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Dance Halls
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Coffee bars or milk bars - by
1957 there were 1000 coffee bars, music would be played there from a jukebox
- 7000 jukeboxes by 1958
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Music - BBC show Six-Five Special
(1957) appealed to young audience, with presenter who had been a formed DJ on
Radio Luxembourg, teens listened to rock’n’roll, skiffle, folk, jazz and
blues
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Fashion - Biba, Mary Quant
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Youth Culture
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Identities influenced by fashion
and music
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Rockers - American style white
tee-shirt, jeans and leather jacket
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Mods - Italian style clothes and
Vespa
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Other identities; Beatniks,
Hippies, Skinheads, Glam Rockers and Punks
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Many older generations felt that
youth culture was ‘out of control’
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Slight rise in youth crime in 50s
and 60s, and sharp rise in arrests for possession of marijuana (235 in 1960
to 11 000 in 1973)
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